Spring has sprung, and so has new music! Fans and listeners alike were feeling more than lucky these last few weeks, as March offered a fresh new bunch of tracks. From collaborations to covers, the KSDT Radio Media Department is back to highlight our favorite releases of the past month.

Click HERE to stream our March Fresh Picks!

Arooj Aftab & Beck: "Lilac Wine"

“Lilac Wine” is an enigmatic song in every sense of the word. From being covered by legends like Nina Simone and Jeff Buckley, this song is practically reformed in every cover; however, no matter who sings it, its mysterious and theatrical identity shines through. With this being said, Arooj Aftab & Beck created their own version of “Lilac Wine” for Help(2), a collaborative album which raised funds for children in war zones. Arooj Aftab, with her haunting and poetic vocals, and Beck, with his distinctive acoustic style, rework “Lilac Wine” as an ambient track infused with avant-garde jazz. This rendition of a song created for the theater may not have your stereotypical vibratos, but the climax and crash of the bridge remained potent and emotional. From flow to composition, this version of the song encapsulates the fleeting love in heartbreak, and hearing it through Aftab’s voice is haunting and comforting, to say the least. –Emma Cam

Baby Queen: "Feel Something"

“Feel Something,” Baby Queen’s latest single, begins with a laid-back bassline and reverb-drenched guitar as she confesses to her casual lover that she’s succumbed to the inevitable…she’s caught feelings (a moment of silence, please). The pre-chorus picks up momentum, her vocals quickening over a punchier bassline before the track hits its peak. Frantic drums and chaotic electric guitars explode into the second chorus and outro, expressing all of the pent-up feelings for this person that Baby Queen can no longer push down. “I know you taste the tension / When you kiss my lips I know you feel like this,” she eventually sings, clinging to the hope that if she says those words with enough conviction, they might actually become true. –Lola Dogat

Baileyrp: "halo_v2"

Baileyrp describes her sound as “glitchy analog dream pop ridiculousness,” and truthfully, there is no better way to put it. This rising alternative artist has been taking over algorithms with her eye-catching setup of pocket operators, bright-colored cables, and a neon Nintendo DS, all working to power her self-proclaimed “beep boop calculator music.”

Her latest release, “halo_v2,” is an alternate version of her recent single “halo.” This track seamlessly blends dreamy synths, gentle drums, and layered vocals that sing about the longing to be seen—not only for who you are, but for all you are capable of. From digital chaos to raw sincerity, Bailey’s inventive production marks her as one of the most exciting and refreshing voices in today’s ever-growing indie scene. –Sarah Yoo

beabadoobee ft. The Marias: "All I Did Was Dream of You"

This song is like if The Marías and Beabadoobee had a baby. Literally. Beabadoobee’s latest collab with The Marías is a riveting blend of sweet and melodic tones with heavy shoegaze-esque guitar. The guitar on this track is especially dark and grungy, which is a stark contrast to Maria and Beabadoobee's ethereal vocals. The addition of The Marías' unique psychedelic tone to Beabadoobee's soft grunge soundscape fits together successfully in a harmonious alt-pop-rock blend reminiscent of the early 2000’s. The Marías' vocals make you feel like you are floating away into an aquatic haze, and the way she enters the song with a haunting piano melody completes the song perfectly, along with intense explosions of guitar. –Jamie Lim

Loveshy: "Blackout"

Loveshy, a new and upcoming artist in London, is making waves across BBC Radio with his first EP, Dead2ME. On March 13th, Loveshy released his brand new single, “Blackout,” as a bold intro to his second EP, Aftertaste, which is set to arrive soon. The track mixes electronic beats with hyperpop influences, ultimately bringing a fast-paced energy that pulls the listener in. “Blackout” captures the idea of chaos with its intensity of punchy rhythms and distorted synths, creating a combination of old rock with futuristic production. As his sound continues to gain momentum, Loveshy is quickly establishing himself in the music industry, and he’s definitely not one to miss. –Caitlyn Williams

Malcom Todd: "Breathe"

Malcolm Todd barely lets us breathe with his newly released single, "Breathe," a delicious bop that will certainly be put on loop. On my DVD players, Malcolm has been turning into my white boy of the year with his recent releases. He goes for a minimalist approach with R&B aspects that involve playful lyricism and fill you with the feeling of what it feels like to step right into your twenties. These lyrics definitely feel overly freaked out, capturing the fleeting experience of sharing intimacy with a lover. This song is a complete switch from his "Malcolm Todd" album, where he had heart eyes for his partner, to now literally taking the listener's breath away because this man did not hold back on describing bold, intimate feelings in each lyric of the song. Someone help me breathe because Malcolm has done it without fail on his newly released. –Julian Gonzales

Ricky Montgomery: "Oh My My"

Ricky Montgomery's "Oh My My," released March 12th, 2026, is actually the original inspiration behind fan-favorite "Line Without a Hook," even sharing the same lyrics in the second verse. While the two share inspiration from one another, "Line Without a Hook" is more toned down compared to "Oh My My.” The song starts rather quietly with some guitar, keys, and Ricky's calm vocals, but by the time we get to the chorus, it picks up with the drums coming in, Ricky's vocal pitch rising, the guitar louder, and the keys more toned down. By the second verse, the guitar roars in, the drums hit hard, and Ricky is practically yelling the lyrics in the best way possible. It's loud, chaotic, and cathartic all at once, capturing the very real frustration of feeling stuck in life. Ricky has a way of making heavy feelings feel fun, and "Oh My My" is a perfect example of that. Catch it on his EP Montgomery Ricky (PLUS 3), releasing April 1st! –Nadia Royal

underscores: "Bodyfeeling"

From fishmonger to wallsocket, underscores has long been at the forefront of the electro- and hyper-pop scene. Yet, “Bodyfeeling” off her latest record, U, plays like a vignette of today’s glossy yet granular alternative soundscape—leaving behind the maximal, chaotic narrative that defined her earlier projects and the early 2020s hyperpop space.

Backed by punchy yet groovy drums, “Bodyfeeling” navigates the disillusionment and subsequent denial of a romantic reality. As underscores continuously refuses to acknowledge her true feelings about this partnership, the track swells into an oversaturated, textural finish that instrumentally mirrors this sense of cognitive dissonance. “What makes you think I can't still love you? ” is her concluding confession; a desperate final attempt at reconciliation in the song’s closing lines. –Megan Hirao